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Pandora’s Jar : Women in the Greek Myths

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320 pages | PaperbackA Paperback OriginalAlso Available as a Hardcover Library EditionThe national bestselling author ofA Thousand Shipsreturns with a fascinating, eye-opening take on the remarkable women at the heart of classicalstories Greek mythology fr

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320 pages | Paperback

A Paperback OriginalAlso Available as a Hardcover Library Edition

The national bestselling author ofA Thousand Shipsreturns with a fascinating, eye-opening take on the remarkable women at the heart of classicalstories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea.

Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!Margaret Atwood, author ofThe Handmaid’s Tale

The tellers of Greek mythshistorically menhave routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evillike Pandora, the woman ofeternal scorn and damnation whose curiosity is tasked with causing all the worlds suffering and wickedness when she opened that forbidden box. But, as Natalie Hayes reveals, in early Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

InPandora’s Jar,thebroadcaster, writer, stand-up comedian, and passionate classicistturns the tables,putting the women of the Greek myths on an equal footing with the men.With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a womans perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus mother-turned-lover (turned Freudian sticking point), who gouged out her eyes upon discovering the truth about her new relationship, and was less helpless than we have been led to believe. She considers Helen of Troywhose face famously launchd a thousand ships, but was decidedly more child than woman when she was accused of causing the Trojan war. She demonstrates how the vilified Medea was like an ancient Beyoncegetting her revenge on the men who hurt and betrayed her, perhaps justifiably so. And she turns her eye to Medusathe serpent-like seductress whose stare turned men to stonewho wasnt always a monster, and was far more victim than perpetrator.

Pandoras Jarbrings nuance and care to the centuries-old myths and legends and asksthe question: Why we were so quick to villainize these women in the first placeand so eager to accept the stories weve been told?

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